Participation in the Theatrical Performance

Abstract

The (In-Between) is one of the new concepts that have been introduced on the philosophical and critical scene and resulted from the phenomena of cultural  mutual effects and the removal of borders between contemporary societies and had major implications at the cognitive, artistic and social levels.

The search tagged (In-Between and its Manifestations in Contemporary Directing) has attempted to answer basic questions such as the question about the presence of In-Between in the directing styles in the Arab theater and how the Arab theater was able to employ it in order to reach an external language bearing a special identity.

The research section is divided into four chapters. In the First chapter, which is the methodological framework, the research problem includes its temporal, spatial, and objective limits, and the definition of terms. As for the Second chapter, which is the theoretical framework, it has been divided into two topics, the first one is the establishment and the concept related to the In-Between, and the second topic deals with the In-Between in the Arab theater represented by the directors (Qasim Muhammad and Abdel Karim Berrechid). Then the researcher discussed the results of the theoretical framework. The Third chapter deals with the research procedures that are divided into the research community, the sample and the approach adopted by the researcher. The Fourth chapter is devoted to the results, conclusions, recommendations and proposals. Then it is proven by the sources and references, then the research summary is in Arabic and English.