Hellenistic Sculpture from the Excavations of Tell Abu Ghafil (Al-Suwayrah) 2024

(An analytical Study)

  • Prof. Dr. Raghad Abdul Qader Abbas College of Education, Al-Mustansiriya University, Iraq
  • Dr. Muhammad Sabri Abdul Rahim General Authority for Antiquities and Heritage, Iraq
Keywords: Hellenistic sculpture, Tell Abu Ghafil, excavations

Abstract

When classical Greek civilization began to flourish, the Near East had witnessed nearly 2,500 years of historical experience. The cultures, economic sciences and political systems) of western Asia formed a sober structure that influenced the later Greek civilization in an orderly way but not fully explained form. Therefore, this research  may allow us to see the details related to mutual influences and  also  the impact of Hellenism on Mesopotamia in a way that opens the way for students to enter this world easily. There was no philosophy separating East from West, the Greeks adopted or borrowed elements of Eastern culture and thought such as the alphabet, mathematics, music, and human-depicted gods. Accordingly, we hope that this combined analytical study of an artwork we are dealing with, both archaeologically and historically, will give us more information, not only about the function of art in society, but also, when the artistic-societal form is recognized to determine the history of individual sculptures. As for this piece of art, we studied and analyzed, it is a female head made of white marble, with a fracture and a missing part at the top of it and a layer of black paint. As mentioned above, the head represents a woman presents overwhelming features of beauty and softness in the facial details that the artist-maker excelled in directing in this way. The piece, through some of the details that we see in it, seems to be made for an elite figure of the people or of a goddess idolized in this era, Aphrodite, who came out to us here with a great deal of calm, tranquility and beauty, which is embodied in a wide soft forehead and very soft cheeks that reflect a degree of goodness and perfection. Through the above description and presentation of this piece of art, the researches may notice the features of Greek art, manifesting in it the measure of all the details that the artist worked to remove from a wonderful piece of stone.

References

1. حسين أحمد سلمان الباوي، اليونان: دراسة في التاريخ والحضارة (1000 – 331 ق.م.)، مؤسسة ثائر العصامي للطباعة والنشر والتوزيع، بغداد، 2018.
2. رغد عبد القادر عباس، "بلاد الرافدين واليونان القديمة – العلاقات التجارية منذ منتصف الألف الأول ق.م."، مجلة الغرفة العربية اليونانية للتجارة والتنمية، أثينا 2016.
3. صلاح رشيد الصالحي، بلاد الرافدين – دراسة في تاريخ وحضارة العراق القديم، ج2، دار الشؤون الثقافية - وزارة الثقافة، بغداد – 2017.
4. فاضل عبد الواحد علي، من ألواح سومر إلى التوراة، ط 1، دار الشؤون الثقافية العامة، بغداد، 1989.
5. فرج بصمه جي، كنوز المتحف العراقي، وزارة الإعلام، مديرية الآثار العامة- بغداد، 1972.
6. محمد صبري عبد الرحيم، "بلاد الرافدين واليونان القديمة – العلاقات التجارية منذ منتصف الألف الأول ق.م."، مجلة الغرفة العربية اليونانية للتجارة والتنمية، أثينا 2016.
7. محمد صبري عبد الرحيم، تقرير غير منشور للتنقيبات التي جرت في الموقع العام 2022.
8. موريس دروون، الإسكندر الكبير – قصة أكبر فاتح عرفه التاريخ، دار الروائع، بيروت – ب. ت.
9. واثق إسماعيل الصالحي، "النحت في العصرين السلوقي والفرثي"، حضارة العراق - الجزء الرابع، بغداد – 1985.
10. واثق إسماعيل الصالحي، "النحت في الحضر"، حضارة العراق - الجزء الرابع، بغداد – 1985.
11. واثق إسماعيل الصالحي، آثار الحضر – المدينة المقدسة، بغداد – 2024.
12. A. Bernard Knapp., The History and culture of Ancient Western Asia and Egypt, The Dorsey Press, U.S.A., 1988.
13. D. Homes Frederico., Hatra el ses Sculpture Parthes, Etud Stylistique et Iconographique Publications de L’institut Historique et Archeologique d Stamboul, XV, Leiden, 1903.
14. E. Douglas Van Buren., “Clay Figurines of Babylonia and Assyria, Yale Oriental Series, Researches”, Vol. XVI, New Haven, Yale University Press, 1930.
15. Edward John Keall, The Significance of Late Parthian Nippur, University of Michigan, 1970.
16. Gilbert Murray, etal., The Legacy of Greece, Ed, R.W. Livingstone, The Clarendon Press, Oxford, 1921.
17. H. F. G. Horstman Shoff and M. Stoll., Magic and Rationality in Ancient Near Eastern and Greece – Roman Medicine, Brill: Leiden-Boston, 2004.
18. Historical Note on HATRA, 3rd Edition, Ministry of Information – Directorate General of Antiquities, Baghdad 1973.
19. J. G. Manning and Ian Morris., The Ancient economy – Evidence and Modes, Stanford University Press, Stanford – U.S.A, 2005…
20. Karsten Hoghammar, Sculpture and Society, Uppsala University, 1993.
21. Leon Legrain., Terra-Cotta from Nippur, “Publication of the Babylonian Section, University of Pennsylvania, The University Museum”, Vol. XVI, Philadelphia: University of Pennsylvania, 1930.
22. Van Ingen, Wilhelmina., Figurines from Seleucia on the tigris discovered by the Expedition Conducted by the university of Michigan with the Cooperation of the Toledo Museum of art and the Cleveland Museum of Art, 1927-1932, University of Michigan Studies – Humanistic Series, Vol. XIV, Ann Arbor University of Michigan Press and London Oxford University Press, 1939.
23. Zainab Bahrani, Mesopotamia: Ancient Art and Architecture, !st Edition, Thames and Hudson, United Kingdom, 1917.
Published
2024-12-13
How to Cite
Prof. Dr. Raghad Abdul Qader Abbas, & Dr. Muhammad Sabri Abdul Rahim. (2024). Hellenistic Sculpture from the Excavations of Tell Abu Ghafil (Al-Suwayrah) 2024: (An analytical Study). Era Journal for Humanities and Sociology, (15), 94-108. https://doi.org/10.33193/eJHAS.15.2024.326
Section
المقالات